Tuesday, August 25, 2020
Difference Between Greek and Roman Architecture of Antiquity
Contrast Between Greek and Roman Architecture of Antiquity Presentation The motivation behind this paper is to distinguish the contrasts between the Greek and Roman engineering of Antiquity. Albeit Greek and Roman engineering have different likenesses, it is critical to recognize the distinctions and the manners in which the Romans decided to adjust their persuasions. The five design orders were profoundly preferred in both Greek and Roman engineering. Greek Architecture Greek engineering is an extremely compelling and chronicled development which is utilized to move numerous modelers today. This development depended on the post and lintel framework which is essentially a framework comprised of segments. Despite the fact that the idea of segments may appear to be basic, the Greeks cut the segments into something lovely â⬠including carvings of legendary animals. They made probably the most exact and unmistakable plans throughout the entire existence of engineering. The Greeks enthusiasm for effortlessness and extent in their structures proceeded to impact Roman draftsmen. There are five primary design arranges in traditional engineering which are Doric, Ionic, Corinthian, Tuscan and Composite â⬠which were totally named by the Romans. Greek draftsmen made the initial three and partook in impacting the last two ââ¬Å"which were composites instead of real innovationsâ⬠(Ancient History Encyclopedia, 2009-2014). The distinctions in these styles were best perceived by the dã ©cor that existed at the highest point of every section. (Doric, Ionic and Corinthian) The Doric Order à â The Doric Order was the first of the structural requests to be presented, the highest point of the section is plain and undecorated while the segment itself is fluted with equal scores. They stood legitimately on the sanctuary without a base. Conspicuous highlights of both Greek and Roman adaptations of the Doric request are the exchanging ââ¬Å"triglyphsâ⬠and ââ¬Å"metopesâ⬠(Essley, J). Three vertical depressions make up the triglyphs and copy the wooden end-shafts, which are upheld by the architraveâ that takes up the lower half of the entablature (superstructure of moldings and groups which lie on a level plane above segments). Under each triglyph are peglikedrops that keep up the structure. A triglyph is put in the middle over each segment with another between segments. ââ¬Å"The Greeks felt that the corner triglyph should shape the edge of the entablature to make a stand out from the supporting section. The spaces between the triglyphs are themetopesâ⬠(Princeton, Online). (Sanctuary of Hephaestus in (Sharon Mollerus) Athens, Greece, 449-415 BC) The Ionic Order The Ionic Order was the second to be concocted and can be perceived by its looked over structure at the highest point of every segment â⬠the sections are additionally fluted and sit on a base. This request is increasingly slim that the Doric however fundamentally the same as. (Segment of the Erechtheion, Acropolis of Athens, 421-406 BC) (Guillaume Piolle) The Corinthian Order The Corinthian Order was the most recent request to be delivered, the late old style time frame was the place the soonest model was found. It is best perceived for its elaborate capital â⬠aside from this factor, it is equivalent to the past ionic request. The Corinthian Order was supported by the Roman engineers in a great deal of their work. (The Pantheon in Rome, 126 AD) (Rosengarten. A, 1898) Roman Architecture The Greek convention in design was proceeded by the Romans, their advantage is obvious in a large number of their structures â⬠particularly their utilization of the Corinthian Order. The Romans were known as ââ¬Å"great innovatorsâ⬠as a result of the manner in which they embraced new strategies and new materials and the manner in which they adjusted on existing procedures. The Romans presented the utilization of vaults and curves to make another compositional style. They kept on utilizing the Doric, Ionic and Corinthian requests â⬠anyway adjusting the capital of the Corinthian to make it increasingly beautifying. The Tuscanâ columnâ is fundamentally the same as the Doric section however with a littler structure at the top. The Tuscan segment was utilized most ââ¬Å"in local design, for example, peristyles and verandahsâ⬠(Ancient History Encyclopedia, 2009 â⬠2014).There turned into a phase where sections were not, at this point utilized for structure, yet were simply enriching. The contrasts among Greek and Roman Architecture Greek and Roman engineering is generally comparative, they were propelled by the Greeks existing work and adjusted their own styles around it. ââ¬Å"As noted on the Palomar Educational Style Guide, the Greeks favored a post and lintel development technique, while the Romans supported a genuine curve constructionâ⬠. (Faller, M) In spite of the fact that the Romans were propelled by the Greeks which brought about numerous likenesses, there are as yet numerous distinctions, for example, the materials they decided to utilize. The two of them normally developed their structures from marble or limestone â⬠be that as it may, the Romans culminated the utilization of cement in structures which permitted them to make all the more free-streaming structures. Corresponding to the styles of segments they utilized, they were totally preferred by both the Greeks and the Romans and showed up in a large portion of their structures. Despite the fact that, the Greeks preferred the utilization of the Doric and Ionic requests, though the Romans favored the more elaborate Corinthian request. The reason for the Greeks and Romans design was additionally unique. The majority of the current Greek engineering was planned as craftsmanship to respect their divine beings which brought about a less lavish inside. Because of the Romans progresses in material innovation, a more noteworthy assortment of Roman structures despite everything exist today. Roman engineering was delightful inside and remotely, reflecting ââ¬Å"the quest for joy, a fundamental piece of Roman cultureâ⬠(Faller, M) According to a greater amount of the development subtleties, the Greeks work was increasingly symmetrical which was known as ââ¬Å"post and lintel constructionâ⬠. The Romans assumed incredible acknowledgment for getting a handle on the curve and the vault, which are a conspicuous element in antiquated Roman design, yet not in Greek engineering. The Parthenon and the Pantheon The Parthenon and the Pantheon are both old sanctuaries â⬠the Parthenon was worked in Greece for their god Athena and the Pantheon was built in Rome to praise the Roman divine beings. The Parthenon was first to be developed in 126 AD and the Pantheon was built around six centuries later around 447 â⬠438 BC. (The Parthenon) (The Pantheon) Both these sanctuaries have numerous similitudes and contrasts because of the Romans adjusting the Greeks forms. Most of the outside plan of the Pantheon is adjusted from customary, antiquated Greek design, for example, that of the Parthenon. It is said that both of these sanctuaries worked as houses of worship during the medieval times and have both confronted modifying. The strict connections of the Pantheon kept it from being harmed by plunders, however tragically numerous pieces of the Parthenon were taken during the 1700s. Obviously, the Parthenon was a Doric sanctuary which was upheld by Ionic sections. The floor was built completely of marble, where the base was developed from limestone â⬠run of the mill materials utilized by the Greeks. ââ¬Å"The east pediment portrays the introduction of Athena, while the west pediment shows the challenge between Athena andà Poseidonà to become the cityââ¬â¢s benefactor godâ⬠(Diffen, Online). This makes a difference to the Pantheon, which was a solid vault upheld by the lavish Corinthian sections. They were keen on catching more magnificence with little, unmistakable subtleties. Once more, commonplace materials, for example, marble and cement were utilized to develop this sanctuary. End Engineering history is the thing that shaped the design of today, both Greek and Roman engineering has played a tremendous impact in various current structures. Most of their work is fundamentally the same as however they despite everything kept on working from multiple points of view so as to offer their expression in engineering. Without the Romans â⬠who aced the utilization of cement â⬠may have brought about an alternate utilization of materials wherein we use today. Both the Greeks and Romans have made the premise of engineering to shape the procedure we have today. Word tally: 1277 List of sources Antiquated HISTORY ENCYCLOPEDIA. (2009 â⬠2014) Greek Architecture. [Online] Available from: http://www.ancient.eu/Greek_Architecture/. [Accessed twelfth December 2014]. Doric, Ionic and Corinthian. Photo, saw twelfth December 2014, http://i39.tinypic.com/30agqbs.png> PRINCETON. Doric Order. [Online] Available from: https://www.princeton.edu/~achaney/tmve/wiki100k/docs/Doric_order.html. [Accessed twelfth December 2014]. Essley, J. Pediment and tympanum, Metopes and Triglyths. Terms from Greek sanctuaries. [Online] Available from: http://www.house-plan coffee.com/metopes.html. [Accessed twelfth December 2014]. Sanctuary of Hephaestus in Athens, Greece, 449-415 BC. Photo, saw thirteenth December 2014, http://arthistoryblogger.blogspot.co.uk/2011/09/doric-ionic-and-corinthian.html> Sharon Mollerus/open space, through Wikimedia Commons. Photo, saw thirteenth December 2014, http://arthistoryblogger.blogspot.co.uk/2011/09/doric-ionic-and-corinthian.html> Guillaume Piolle/open space, through Wikimedia Commons. Photo, saw thirteenth December 2014, http://arthistoryblogger.blogspot.co.uk/2011/09/doric-ionic-and-corinthian.html> Section of the Erechtheion, Acropolis of Athens, 421-406 BC. Photo, saw thirteenth December 2014, http://arthistoryblogger.blogspot.co.uk/2011/09/doric-ionic-and-corinthian.html&agt; The Pantheon in Rome, 126 AD. Photo, saw thirteenth December, http://arthistoryblogger.blogspot.co.uk/2011/09/doric-ionic-and-corinthian.html> Rosengarten. A,A Handbook of Architectural Styles,1898. Photo, saw thirteenth December 2014, http://arthistoryblogger.blogspot.co.uk/2011/09/doric-ionic-and-corinthian.htm
Saturday, August 22, 2020
Determining Avogadroââ¬â¢s Constant and Faradayââ¬â¢s Constant
Deciding Avogadroââ¬â¢s Constant and Faradayââ¬â¢s Constant Rundown of Apparatus Name of Apparatus Amount Vulnerability Electronic Stopwatch 1 à ±0.2s Ammeter 1 à ±0.01A Wires with crocodile cuts 1 D.C power source 1 à ±0.01V 300cm3 Beaker 3 Copper strips 2 Sand paper 1 Graphite bar 2 pH test/information lumberjack 1 à ±0.2 Electronic gauging balance 1 à ±0.001 Information COLLECTION: The electrolytic cell utilized in this examination is shown in Fig 1: Fig 1 Diagram of electrolytic cell utilized in examination In this examination, a current is gone through the arrangement with copper as the cathode and graphite as the anode. After a set measure of time, the circuit is separated and the mass of the cathode is estimated. Following which, figurings are made in order to decide the Avogadroââ¬â¢s and Faradayââ¬â¢s steady. Subjective Observations At the point when the D.C power source was turned on, bubbles were framed at the Graphite anode. As the response advances, fine substance gets suspended in the arrangement and a dark strong stores can be found at the base of the measuring glass and there is a noticeable decay of the graphite cathode. As the response progress, a pink layer of copper shapes on the copper strip. The copper strip is initially earthy colored in shading while the graphite cathode is dark in shading. Inevitably, as the graphite terminal breaks down, the graphite atoms will turn the copper (II) sulfate arrangement from blue to dark in shading. In any case, when the copper sulfate arrangement is sifted, it is noticed that there is an abatement in the force of the blue shading in the filtrate after the electrolysis. The underlying pH of the arrangement is 2.75, after the electrolysis is completed, the pH diminishes to 2.10. Information Collection Steady factors Time Interval/s(â ±0.2) 300 Voltage/V 4V Current/A(â ±0.01) 0.25 Cathode Preliminary 1 Introductory mass/g (à ± 0.001 g) 1.315 Last mass/g (à ± 0.001 g) 1.279 Change in mass/g (à ± 0.002 g) 0.036 Synthetic condition for response at the anode: 2H2O (l) à ¯Ã'à O2 (g) + 4H+ + 4e (aq) Synthetic condition for response at the cathode: Cu2+ (aq) + 2e à ¯Ã¦'â Cu (s) Counts for cathode Counts Mistake Propagation Change in mass(Cu) = 0.036g Mols of (Cu) = =5.7 x 10-4 mol Number of mol of electrons- Utilizing mol proportion Cu2+ (aq) + 2e à ¯Ã¦'â Cu (s) Number of mol of electrons =11.4 x 10-4 Charge coursing through circuit Number of electron charges in circut= Where is the basic charge, the charge of one electron Number of electron charges in circuit = Number of mol of electrons Where L is the Avagandroââ¬â¢s consistent Comparing the quantity of mols of electrons got structure the copper mass information and the quantity of mol of electrons from the current- Faradayââ¬â¢s consistent = = 67000 C %⠱î Mol of Cu = %⠱î Mol of Cu = = 5.6 % % Uncertainty of number of mol of electrons = % vulnerability of Mass(Cu) =5.6% % vulnerability of number of mol of electrons =5.6% %⠱î charge streaming in circuit = Rate blunder Rate blunder for Faradayââ¬â¢s Constant = = = 30% Rate vulnerability of faradayââ¬â¢s consistent =5.9% Rate deliberate blunder in Faradaysââ¬â¢ steady =%error-%random mistake = 24.1% Rate blunder for Avogadroââ¬â¢s Constant = = 30% Rate vulnerability of Avogadroââ¬â¢s Constant =5.9% Rate deliberate blunder in Avogadroââ¬â¢s Constant =%error-%random mistake = 24.1% End Taking everything into account, the determined estimation of Faradayââ¬â¢s steady is mol-1 and Avogadroââ¬â¢s consistent is. As observed over, the rate mistake for both Faradayââ¬â¢s steady and Avogadroââ¬â¢s consistent are both 30% and subsequent to taking away the blunder because of instrumental vulnerability, the % precise blunder acquired is 24.1%. This shows the exploratory qualities determined vary extraordinarily from the writing esteems, demonstrating that there has been a lot of orderly blunder, which has made the determined worth be entirely different from the writing esteem. As rate mistake of both Faradayââ¬â¢s consistent and Avogadroââ¬â¢s steady are a lot bigger than their particular rate vulnerabilities, this shows the wellsprings of deliberate blunder are noteworthy and can't be disregarded Assessment Kind of mistake Confinement Improvement Efficient Oxidation of copper happens normally when the copper strip is presented to oxygen and when it is warmed in the broiler. In any event, when sand paper is utilized to scratch off the layer of copper oxide on the outside of the, it is hard to totally freed of all the copper oxide. The arrangement of copper oxide will influence the response when electrolysis happens and will influence the adjustment in mass of the copper cathode, which is the needy variable in this test. In any event, when the copper strip is submerged in the copper (II) sulfate arrangement, after a timeframe, it will in the end begin to frame a layer of copper (II) oxide which won't be associated with the electrolysis response. This will lessen the measure of copper which will experience response, making it decrease the inevitable determined Faradayââ¬â¢s and Avogadroââ¬â¢s consistent. It is difficult to keep the oxidation of copper from occurring notwithstanding, this methodical mistake can be limited. Other than guaranteeing that the layer of copper oxide is scratched off by scouring the copper strip too much with sandpaper. The ideal opportunity for which the copper remains in the stove can be limited or hair dryer can be utilized rather to pass the water over. Deliberate At the point when the graphite terminal beginnings to deteriorates as the response advances, sections of graphite will be scattered all through the whole arrangement. As copper (II) particles move towards the copper strip to plate it, a portion of the graphite sections may wind up joined to the copper strip too and can't tumble off as a layer of copper plates over the graphite pieces. This can be seen in the analysis when the copper strip is evacuated toward the finish of the examination; dark parts of graphite are seen on the copper strip. The graphite sections would effortlessly arrive at the copper strip mostly in light of the fact that they were very close to one another. Consequently, the graphite sections could without much of a stretch move towards the copper strips and connect to them. So as to limit this from occurring, the trial ought to lead in a 500cm3 measuring glass, with the copper strip and the graphite anode held further away from one another. Likewise, the graphite terminal ought to be situated beneath the copper strip so that as the graphite cathode breaks down, the graphite pieces will essentially sink towards the base of the measuring utencil, consequently it will be more uncertain for the graphite parts to coincidentally cover onto the copper anode Deliberate Changes in the current. At whatever point the 2 cathodes were moved, the current of the circuit changes. Consequently, at whatever point the copper anode was moved so as to be gauged, the current would change, bringing about a conflicting current all through the test. In the event that the present goes amiss from the expressed 0.25, the subsequent Faradayââ¬â¢s steady and Avogadroââ¬â¢s consistent will be influenced too. An expansion in current will bring about an increment in the Faradayââ¬â¢s steady and Avogadroââ¬â¢s consistent determined while an abatement in current will bring about a decline in the Faradayââ¬â¢s consistent and Avogadroââ¬â¢s consistent determined. So as to forestall vacillations in the present because of the moving anodes, a counter stand can be utilized to hold the cathodes set up and keep them from moving. This is substantially more dependable than simply utilizing hands to hold the terminal, bringing about a decrease in the variance of the current A rheostat can be utilized and remembered for the circuit so as to modify the measure of opposition of the circuit with the goal that the ideal current can be accomplished. As current is contrarily proportionate to obstruction as indicated by Ohmââ¬â¢s law, the opposition of the circuit can be balanced so as to guarantee a steady present of 0.3 all through the investigation. Methodical Additionally, another wellspring of deliberate blunder in this examination would originate from the way that, the perusing on the ammeter doesn't show the real electric flow coursing through the anodes and the electrolyte as this worth may diminish because of intensity misfortunes in the wires. That is the electrical vitality would be changed over to warm. Anyway the obstruction of the wires in the circuit was thought to be immaterial in this investigation for effortlessness. This would prompt precise blunder as we would reliably overestimate the greatness of the present coursing through the electrolyte. This blunder can be stayed away from if the estimations of the obstruction of the wires just as the inner opposition of the force source were known and remembered for the computations made. Methodical The copper cathode may experience a procedure called passivation[1] where the metal structures a defensive layer on its surface to shield it from external factors, for example, water or air to forestall consumption. Such a defensive layer will bring about a high opposition which will prompt a voltage delay. This procedure may likewise happen on the graphite terminal. During the response, within the sight of passivation, the underlying pace of the expansion in mass of the copper anode will be eased back down; at last influencing the all out increase in mass by the copper cathode, influencing the Faradayââ¬â¢s steady and Avogadroââ¬â¢s consistent determined. This procedure of passivation can be evacuated by permitting the response to advance for 5 minutes to maintain a strategic distance from a voltage delay. 5 minutes was picked in light of the fact that too short a period will be deficient to evacuate th
Monday, August 10, 2020
Find Your Voice with The Insecure Writers Support Group
Find Your Voice with The Insecure Writers Support Group Does a blank page leave you feeling intimidated, queasy or ready to pull your hair out? If you said yes then chances are good that you are a writer. Now, provided that the image of a blank page didnt send you crawling back to the trenches ready to wave your white flag of surrender, give us a chance to make amends for the trauma we just put you through by directing your attention to an online media business that understands your plight, understands your stress levels, understands that blank-page phobia and ultimately understands how to get past all that to make you a more productive writer. Dont believe us? Then check out the Insecure Writers Support Group for yourself.From the moment you enter the support groups homepage youll be welcomed by the image of a bright hopeful beacon of light. Perhaps its calling you in the right direction or perhaps its just calling you to East Egg (for all your Hemingway-philes out there; even though were pretty sure its the former); either way, the imag e is a comfort for all those tired, weary writers looking for respite. Well, youve found it, so hang your hat and pour yourself a glass of Writers Tears whiskey if you need to and then let this community of writers welcome you with open arms. Think of it as group therapy meets motivational coaching.I just poured my first glassâ¦tell me moreThe Insecure Writers Support Group (IWSG) is the brainchild of sci-fi writer Alex Cavanaugh, who discovered that there was a sea of doubting writers turning to the Internet to share their concerns, hang-ups and tales of book-writing woe; fortunately, for a lot of these writers, their self-doubts were met with positivity, reassurance and helpful advice from other writers (a benefit that wasnt lost on Alex). From this discovery, IWSG was born. Since its inception in 2011, IWSG has more than 3,000 Facebook members, 600+ newsletter subscribers and about 250 active bloggers.Whats great is that IWSG can benefit all writers, no matter where they might b e in their career. You could be a bestselling writer or you could just have discovered that youre a natural-born writer (lucky you!) and youll find writers on the site that can help you tackle your unique challenges. So, put away that bottle of Writers Tears and lets delve into the many facets of being a member of IWSG.Not just writer-friendly but also user-friendlyWere all about getting information quickly nowadays and we want a site thats able to provide us what we need when we need it. Okay, that might sound a bit greedy but lets be honest; no one has time to fall down the proverbial rabbit hole and spend precious time searching for the necessary information when that time could be better spent writing. Lets just say that IWSG understands this.At the top of the support groups homepage, simple, straightforward headers direct you to the topic that is most helpful to you based on your current stage in the writing process. Are you interested in self-publishing? Theres a tab for that. Ready to find an agent to shop your new book? Theres a tab for that. Need some writing tips to help you jump that writers block hurdle? Okay, you get the point (and, in case you didnt, there is also a tab for that). Theres a reason IWSG has received best writing websites awards from both Writers Digest and The Write Life. After all, this online support system brings together a common issue that a lot of writers face and provides a simple, easy-to-use platform to help you conquer those issues.A wellspring of writing resourcesOkay, lets get to the good stuff: writing resources. After all, this is why you want to join this support group, right? All you have to do is click the tab Writing Tips and youll be directed to an exhausting list of resources and advice on a variety of subjects:1st 5 Pages Writing Workshop (for young adult writers)Advanced Fiction WritingThe Adventurous WriterAlmost a WriterThe Book DesignerCreativity Portal (for everything from greeting cards to screenplays)Dai ly Writing TipsFree Writing EventsFunds for WritersGrammar SlammerGoogle TrendsGrammarphobia (because grammar shouldnt be scary)Helping Writers Become AuthorsHorror Writers AssociationHow to Write a Book NowInternet ResourcesKidLit (for authors writing young adult works)Make a Living WritingMen with Pens (its the new men in tights but wordier)Moody WritingThe Novel FactoryOne Stop for WritersRomance UniversityScreenwritingWriting and IllustratingWriting and WellnessYA HighwayAnd this list is just scratching the surface of some of the writing resources youll find on their site, carefully curated by the administrative team at IWSG. All you have to do is click the links that apply to you (sounds pretty easy, right? Hint: it is).Among these resources, youll also find links to advice from specific writers. More than likely youll find a writer on this list that best aligns with your style or could help you navigate those choppy writing waters. So, instead of spending your time trying to h unt down the online writing resources you need to get started, IWSG did it for you.Need a sounding board for your writing stressors? Fuggedaboutit. The first Wednesday of every Monday its time to sound the alarm and post your innermost fears and concerns on your own blog and watch as the proverbial cheering squad appears to give you the pep talk you need to own that blank page (just dont forget to leave a little love for the other doubtful writers out there before you show that blank page whos boss).To self-publish or not to self-publish?At some point in a writers life, that will most certainly be the question. Perhaps your novel, short story or poetry is already ready to grace the world with its presence, but you are currently standing at a publishing fork in the road. If so, IWSG offers a section for Self-Publishing and also one for Publishers, Agents, Queries to help you choose the path that best suits your needs. Self-publishers will find extensive information on everything from book formatting to finding an editor or book printer.If you choose to turn to a publisher or agent to help you peddle your literary wares, IWSG offers an extensive list of both large and small publishers, as well as publishers that cater to your specific demographic or style such as romance novels or childrens stories. Youll even find samples of professional query letters to submit to publishers and agents to help get those creative juices flowing once more so that you can write a successful query for your manuscript.Know how to market yourselfYouve spent all of your time and energy into creating your potential bestseller but how the heck is anyone going to know to read it? All you have to do is go on Amazon or Goodreads and its easy to get lost amongst the 600,000 to 1 million new books published each year just in the US alone. How do you go from zero to one in a million? Simple: good marketing. Okay, maybe good marketing isnt that simple, but dont worry; IWSG has your back with r esources such as:Author Marketing ExpertsBiblioCrunch (for all those self-publishers out there)Book CoachingBook Marketing Book PromotionBoost Blog TrafficDigital Book WorldKiller Book MarketingPublishers WeeklySavvy Writers e-Books OnlineSelf-Publishing ReviewSocial Media ExaminerThe Book DesignerThe Non-Fiction ZoneThe Publicity HoundWhere Writers WinWrite to Sell Your BookWriters BoonAgain, IWSG is a one-stop online writing shop from which to snag some new and helpful industry tips for how to market everything from your personal blog to your first novel. Youll even find a link to online courses for social media and email marketing strategies (lets boost that blog traffic, yo!). Enjoy a plethora of expert tips and guidance to help make navigating the world of marketing a whole lot simpler.Hone your skillsDo you feel like your writing could use a little spruce or inspiration? When you hop onto the IWSG website youll find a laundry list of conferences, conventions, workshops and r etreats from all over the world that will help you dust off your writing chops and even soup them up a bit (its the Pimp My Ride of writing skills), no matter if your passion is to become the next Madeleine LEngle of young adult books or to write crime fiction à la James Ellroy.Still hungry for more?If so, all you Hungry, Hungry Caterpillars can sink your teeth into The Insecure Writers Support Group Guide to Publishing and Beyond. As you can glean from the title, the guide can help you with everything from brainstorming your next book idea to publishing and marketing it appropriately. Better yet? These comforting anecdotes and practical tips come from actual members of IWSG whove also been in your shoes.Even writers need a little support (or perhaps even a little schadenfreude on a bad day) and it seems like IWSG is ready to dish it out in spades, along with a generous helping of professional advice and tips of the trade learned by others who once sat down and pulled their hair ou t over a blank page. Its time to turn on your writing prowess and turn off that Netflix. We know that story wont write itself, but with the Insecure Writers Support Group, it certainly got a whole lot easier.
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